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A bullied, neglected and all-but-silent child, he grows toward an understanding of himself and his world, and though it is agonizing to witness his progress, it is also thrilling.
To be afforded a window into another consciousness is a gift that only art can give.
Based on the play “In Moonlight Black Boys Look Blue” by Tarell Alvin Mc Craney, “Moonlight” is both a disarmingly, at times almost unbearably personal film and an urgent social document, a hard look at American reality and a poem written in light, music and vivid human faces. The drug trade around the Miami housing project where she and her son live is controlled by Juan (Mahershala Ali), who becomes a kind of surrogate father for Chiron. ” Watching him complete the syllogism in his head, and watching Juan’s reaction, is heartbreaking. Nobody in Juan’s situation — or in Chiron’s or Paula’s — has ever been anything other than human.
I don’t bring this up to suggest that the movie or my admiration for it in any way “transcends” race.
The film will be available to stream on Amazon Prime beginning May 21.
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Chiron’s initiation into such questions seems to be through fear and confusion.
(Though for someone who at every stage says as few words as he can, easy is a relative term.) That this comfort is purchased with the coin of his mother’s misery is not lost on Chiron. The drug dealer as default role model for fatherless youth is a staple of hip-hop mythology, pop sociology and television crime drama. Like James Baldwin’s “Go Tell It on the Mountain” — or, to take a more recent example, like Ta-Nehisi Coates’s “Between the World and Me” — “Moonlight” dwells on the dignity, beauty and terrible vulnerability of black bodies, on the existential and physical matter of black lives.
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Nor do I want to damn this film, so richly evocative of South Florida that it raises the humidity in the theater, with the faint praise of universalism.